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Logline:
Claire must overcome the guilt of her past by locating her missing sister in a cursed campground, stalked by more than just a malevolent slasher.
"A hauntingly well-crafted screenplay that takes the slasher-horror subgenre and infuses it with deep emotional resonance, supernatural mystery, and psychological weight. A tense, atmospheric, and emotionally charged journey into the heart of fear, both real and supernatural."
- "Filmique" Coverage Reader | Read Full Review
"Effortlessly delivers a fast-paced and well-handled story that includes suspense and classic horror elements. A wonderful script with a terrifying story that could keep any horror fan's heart racing."
- "ScreenCraft" Coverage Reader
Winner - Best Horror Screenplay
Cambridge Script Festival
2025
Official Selection
Berlin International Screenwriting Festival
2025
Quarterfinalist
Filmmatic Horror Screenplay Awards
2022
Quarterfinalist
Outstanding Feature Screenplay Competition
2021
Winner - Best Horror or Thriller Script
Cannes Script Festival
2025
Official Selection
Oxford Script Awards
Winter Season 2025
Quarterfinalist
ScreenCraft Horror Competition
2022
Nominee - Best Screenplay
Movie Play International Film Festival
2025
Winner - Best Horror Screenplay
Black Pearl International Film Festival
2025
2nd Place - Best Horror Feature Script
The International Horror Hotel Film Festival
2024
Official Selection
Purple Sky International Film Festival
2025

BIOGRAPHY

Brandon D. Reid is an award-winning screenwriter, photographer, and filmmaker based in Alberta, Canada. He began making films in 2006 and has accumulated various credits on over fifty student or independent projects since then. He has a Bachelor of Fine Arts in New Media, and attended the Vancouver Film School in 2018, where he earned an Honor’s Diploma in Writing for Film, Television, and Games.
He’s been a fan of horror since he was thirteen and has written several short scripts based on the genre, including Fear-in-the-Box, Final Draft, and The Stalker. Currently, he is expanding his portfolio by entering writing competitions for both short and feature films, and honing his analytical skills with the web series The First Ten Pages.
His endgame is writing feature-length horror films, such as his spec scripts The Campground and Penance.

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